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Mirella Ricciardi’s African pictures have the integrity of spontaneous, intuitive documents made with the deep love of someone who knew and understood their subject. There is nothing voyeuristic here, no sense of exploitation of the exotic, rather a sense of Mirella’s tender, familial engagement, and her considerable respect for the inherent nobility of what was before her lens.
Philippe Garner
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Monday, August 30, 2010
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